Override / Madness

Tamer Fouda opens his Warbeats debut with 'Override / Madness', a two-track EP that arrives on 21 August 2026. The Egyptian producer enters the catalogue with 79 chart placements across platforms, including a #2 peak on Beatport's Indie Dance Top 100 for 'Flip That'. His previous work has earned support from Betoko, Petar Dundov, and Paul Anthonee, among others. The EP pairs a driving, robotic groove with playful, aggressive energy, built for the late slot on the floor. 'Override' leans on darker atmospherics and a robotic bassline that drives through the arrangement, while 'Madness' pushes into more playful, aggressive territory with synth stabs that cut through the mix. Both tracks share a 128 BPM pulse but move in different directions, designed to work in sequence as a warm-up to peak-time shift. The release has already charted inside the top 30 on Bass House Releases, peaking at #21 in mid-July. Fouda arrives with a catalog that has crossed over 519K streams, with his solo track 'Timeless' alone reaching over 119K streams. His career includes 75 Beatport DJ Charts and 16 Beatport Charted Tracks. The artist has toured internationally, sharing stages with established acts and building a reputation for commanding the dancefloor. This release marks the next step for a producer whose sound has already been tested on multiple fronts. 'Override / Madness' is the artist's first release on Warbeats Records, a debut that follows a run of chart activity and playlist placements for his earlier work. The label presents Fouda as a new addition to its roster, bringing a Bass House sound that fits alongside the catalogue's dancefloor-focused output. It is the first of what the label expects to be a recurring presence from the Egyptian producer. This is a record for the transitional slot on the floor — the moment when a warm-up needs to lock in or a peak set needs a reset. A DJ would reach for 'Override' to establish a driving groove and for 'Madness' to inject raw energy when the room needs a jolt. The EP works across Bass House and Tech House sets, fitting into the late-night programming of clubs and festivals where the crowd is already moving.